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376 search results for: James St

151

Author Note: John Huston

The following Author Note is from a Toronto Public Library blurb for The Maltese Falcon: John Huston, Director (1995). I’ve been studying The Maltese Falcon (1941) as part of a Technology of Film (1) course at Ryerson University. Another relevant resource is Discovering The Maltese Falcon and Sam Spade: The Evolution of Dashiell Hammett’s Masterpiece, […]

152

Modern empire was not an aberrant supplement to the history of modernity but rather its constituent part (Partha Chatterjee, 2012)

“Modern empire was not an aberrant supplement to the history of modernity but rather its constituent part.” These words are from the preface of The Black Hole of Empire: History of a Global Practice of Power (2012) by Partha Chatterjee. What conceptual framework drove the British to establish themselves in Long Branch? The above-noted book […]

153

David Webster, who grew up in Long Branch (Toronto not New Jersey), has a great recollection of local history dating back to the 1940s

Updates: Colleen O’Marra – see Comments at the end of this post – has added details about Police Chief Smythe that I read with much interest. For additional comments about Toronto-area postwar emergency housing, click here > [End]   I had the good fortune to spend a couple of hours on the morning of Dec. […]

155

The Technique of Film Editing (1968) is a classic text for film students

The following text is based upon a previous post entitled Drug Wars (2013) updates. It focuses and enlarges upon themes related to editing, contextualization, and management of attention and emotional response in accordance with principles of instrumental reason in a machine in the garden era. Film history We are dealing with history, and its conceptualization. Heritage […]

156

Toronto Nuit Blanche 2013 preview: Ai Wei Wei amongst the hundreds of artists at the all-night extravaganza (August 21, 2013 Globe and Mail)

The above-noted August 21, 2013 article by James Adams in The Globe and Mail begins as follows: Elvis Costello has said that “writing about music is like dancing about architecture.” That notion of the ineffable also has some application when it comes to describing Toronto’s Scotiabank Nuit Blanche, the all-night contemporary visual arts “thing” having […]