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22

The Technique of Film Editing (1968) is a classic text for film students

The following text is based upon a previous post entitled Drug Wars (2013) updates. It focuses and enlarges upon themes related to editing, contextualization, and management of attention and emotional response in accordance with principles of instrumental reason in a machine in the garden era. Film history We are dealing with history, and its conceptualization. Heritage […]

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History of film editing – Reisz and Millar (1968)

The Technique of Film Editing, Second Edition (1968) is a classic text by Karel Reisz and Gavin Millar that is read even now by film students. It’s a useful resource for anybody interested in how stories are put together, and how life is viewed and experienced, then and now. Because I’m currently taking a film editing […]

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Toronto Nuit Blanche 2013 preview: Ai Wei Wei amongst the hundreds of artists at the all-night extravaganza (August 21, 2013 Globe and Mail)

The above-noted August 21, 2013 article by James Adams in The Globe and Mail begins as follows: Elvis Costello has said that “writing about music is like dancing about architecture.” That notion of the ineffable also has some application when it comes to describing Toronto’s Scotiabank Nuit Blanche, the all-night contemporary visual arts “thing” having […]

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Genocide qualifies as a systematic object for social science: Zygmunt Bauman (1989)

Previous blog posts at the Preserved Stories website have addressed social history in the context of deindustrialization and documentary making. I’ve also shared highlights from studies addressing history and social theory in the context of postmodernity and a return to narration. As well, I’ve shared information related to military history and the relation between instrumental reason and modernity. The […]